So, I’m attempting to write my first synopsis. And it’s bringing back all these horrible memories of being paralyzed with fear–literally, can’t write a word, paralyzed–when I first started writing and I read all of these how-to books and web sites. Here’s what I’ve gathered, so far:
- It’s the opposite of show-not-tell. Tell, tell, tell! Okay, so do what I spent ages learning how not to do?)
- Tell your whole story, don’t leave unanswered questions. But leave out the parts, like secondary characters and subplots, that aren’t important to the developing relationship. (Well, if they’re not important, why are they in the book at all?)
- Focus on the developing relationship, not the external plot. (Are they supposed to be that easily separable? )
- A page for every 10k words is acceptable, but an agent may only want 3…or 5… or anything that’s not what you’ve already done. (So I have to condense it further? Should I write the long one and then try to make it smaller or should I just do one for everyone?)
- Make sure your voice, the voice that should be strongly present in your story, is also in your synopsis. (All that and I have to write it well? And why is it harder to write naturally… because of the flipping rules, that’s why!)
I think you can see where I’m going here. I can’t find anything good, solid, “Here’s how you do it,” or even an example of a book I’ve read. That would be awesome.
And after this, I’m going to be crafting a query letter. Which will be nifty since I have no writing credits to my name. I did find this, which may help, I’ll let you know. The Complete Nobody’s Guide to Query Letters
Oh, and if I ever do figure out how to write a synopsis, I’ll share the wealth.
EDIT: This looks promising: Writing the Tight Synopsis. I’m going to try this, starting with the one page and building up. Will update on my progress.