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By the time you read this, people won’t be talking so much about the new Netflix series, Bridgerton, based upon the Julia Quinn series. A check into my Kindle tells me I read the first book, The Duke and I, in 2014. It was published nearly a decade-and-a-half before that. As far as historical romance goes, I was a bit late to the party. I’d read contemporary romance for fifteen years or so and been writing it for ten. I didn’t see an appeal to the nobility that seemed privileged and ridiculous in practice. Of course, I’m speaking of actual nobility, not the romanticized versionRead More →

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If you’re anything like me and most of the planet, you binge-watched House of Cards on Netflix when they debuted the entire season (like they do) in February. Confession: I’ve watched Seasons 1 and 2 three times. Once for each new season because this is a show you have to pay attention to. The smallest detail, especially on the part of Frank or his wife, can mean huge repercussions later. Why are we so obsessed with Francis Underwood and his dirty doings? How is someone so amoral the protagonist of the story? To answer that, we have to talk about anti-heroes. According to dictionary.com anRead More →

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But, then something unheard of happened…The creator of the show, Rob Thomas, started a Kickstarter campaign, broke a bunch of records, and raised the money in like ten hours. Then, as far as I can tell, every single person came back for the movie (despite many of them going on to more success) and the movie was filmed over 28 days last summer. (Does this sound like a fairy tale to anyone else?) It will be released on 3.14.14.Read More →

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Burn Notice. Love, love, love the characters. I’d watch Bruce Campbell clean out his gutters. And the story arcs like mad. Everything changes. I hate when writers are afraid to make changes because what they have works. In this moment.

But it can’t work forever. The nature of story is to change. Otherwise, it’s just a snapshot in time.

I can’t turn off the writer.Read More →

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This show has flaws: writing that serves the needs of the plot rather than the organic growth of the characters, for one. Reversals in feelings and character consistency are another, but those happen more in characters that are, quite frankly, rather flaky. Characters whose moral compass sometimes spins wildly with disastrous results. And all that makes it soapy fun, which–as I’ve established, I’m totally fine with.

But, at the end of the four or five episodes day, I care about the characters.Read More →

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You know I posted about watching good TV to become a better writer? This isn’t like that. I had this major day-job thing going on the last few months, and I’ve been relieving stress by watching television. Specifically, soapy drama. Private Practice, the new Dallas. Which led me and my incredibly awesome daughter who enjoys the same odd things I do to old Dallas. We’re on Season 2. And it’s… wow. It’s so bad it’s good. Like how everyone used to love to hate J.R. Amiright? There are these “Oh, no, he did NOT!” moments, and “Disco [dancing] is creepy…” moments, and “They’re playing dramaticRead More →

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Glee. Just…Glee. I’ve posted in the past about watching great shows to improve your writing (and because they’re awesome and we love good stories). I’ve been a fairly long-standing fan of Ryan Murphy (and later Brad Falchuk). The Shield, Nip/Tuck, American Horror Story. Good shows. Great characters. But, Glee. I’ve watched it on Netflix and my becoming enamored with it started one boring, cold Saturday morning. I turned it on. I gasped. I laughed. I called to my teenage daughter to get in there because I was watching the best television show I’d ever seen and she had to see it. I’ve fallen in loveRead More →

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Since these are the last episodes of the last season ever, and since I’ve been a loyal viewer for the last five years, enduring both dull flashbacks and funky flash forwards and everything in between, could you do me one small favor?  Could you try, in future episodes, to make the other 41 minutes less of a chore to watch and actually let things happen in the story as opposed to waiting until the last two minutes?  K, thanks. L.Read More →