Mar28
Stages of Change and Character Arc

On Kathy Carmichael’s awesome site, she has a form to aid in creating a short synopsis and plotting your story.  You should go download that now.  I’ll wait.

She suggests, on the first page, to list ten events that will help change a character’s core belief and to keep in mind the stages of change.  This opened up a whole new way of looking at structuring character arc for me so I wanted to share what I’d found on the stages of change.

The earliest stage of change is known as precontemplation. During the precontemplation stage, people are not considering a change. People in this stage are often described as “in denial” due to claims that their behavior is not a problem. If you are in this stage, you may feel resigned to your current state or believe that you have no control over your behavior. In some cases, people in this stage do not understand that their behavior is damaging or are under-informed about the consequences of their actions.

via Stages of Change – Precontemplation Stage.

We’re going to be dealing with 4 of those stages, so it would make sense, I think, to divide this arc into quarters.  For example, the precontemplation stage would be the first 1/4 of your story.

During this stage, people become more and more aware of the potential benefits of making a change, but the costs tend to stand out even more. This conflict creates a strong sense of ambivalence about changing. Because of this uncertainty, the contemplation stage of change can last months or even years. In fact, many people never make it past the contemplation phase. During this stage, you may view change as a process of giving something up rather than a means of gaining emotional, mental, or physical benefits.

via Stages of Change – Contemplation Stage.

Of course, our heroes and heroines will make it past this stage because that’s what makes them heroic.

During this stage, you might begin making small changes to prepare for a larger life change. For example, if losing weight is your goal, you might switch to lower-fat foods. If your goal is to quit smoking, you might switch brands or smoke less each day. You might also take some sort of direct action such as consulting a therapist, joining a health club, or reading self-help books.

via Stages of Change – Preparation Stage.

What’s key here is small changes.  Our hero or heroine isn’t ready to full on commit yet, so explore ways to make small concessions to change.

During the fourth stage of change, people begin taking direct action in order to accomplish their goals. Oftentimes, resolutions fail because the previous steps have not been given enough thought or time. For example, many people make a New Year’s Resolution to lose weight and immediately start a new exercise regimen, begin eating a healthier diet, and cut back on snacks. These definitive steps are vital to success, but these efforts are often abandoned in a matter of weeks because the previous steps have been overlooked.

via Stages of Change – Action Stage.

There’s another stage, maintenance, but I think that stage comes after the HEA.

To me, it makes sense to structure your characters change, and that what it’s all about–the character’s journey–in a way that is scientifically proven to be how real people handle change.

Again, you should check out Kathy’s site or follow her on twitter (linked above) because she is clearly brilliant.

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Dec16
Confession Time

I hate character charts.  I see them everywhere.  I’ve bought books on character development that had 10 page(!) character charts.  Sample questions:

  1. Astrological sign? Who cares?  I don’t check my horoscope.  I mean, I guess, if I had a character who was all into that, it might matter to them.  I guess, I’m saying if it doesn’t matter to my character, why should it matter to me?
  2. Political leanings? Unless my character is a politician or an activist or a lobbyist, why do I need to know this?  Will her views on global warming affect her reaction when she’s forced into a marriage of convenience?  Maybe…but probably not.
  3. Favorite movie?  Okay, so I have a character in my current WIP and I do know her favorite movie is Gone With the Wind.  Why do I know this?  Because it’s pertinent to my story.  Because, when the hero left her, she went crazy watching old, love story type movies, and this was her favorite, and when she had their secret baby, she named her Scarlett Vivien–which her daughter hates and the hero thinks is way over the top but she can’t help it because he was all off ‘I-don’t-give-a-damning’ her.  This is character development.  What’s his favorite movie?  Doesn’t matter.  It’s not part of my story.
  4. First memory? Um, huh?  Let’s say I make one up.  Let’s say I spend a half hour finding one that totally fits my character’s personality.  Let’s say I do that.  It’s not relevant to the story.  It doesn’t develop my character because I just used what I already know about my character to make it up or, worse, just randomly jotted something down.  It doesn’t matter–unless it does.  (You know what I mean!)
  5. Personal philosophy?  Okay, I’ll say it one more time–if it’s part of the story and an integral part of the character, then great.  But, otherwise, I’m not entirely sure I know my personal philosophy on life.

I know people use these, and if they help, that’s fantastic.  Every tool is fantastic if it helps you.  It’s just not how I do things.  I write an autobiography in my character’s voice.  I write letters from the character.  I interview the character.  If it works out right, and the life has been breathed into them, they start talking to me.  Thing is, they usually get pissed when I ask, “What’s your favorite color? or What’s your most humiliating memory?”  Oddly enough, like real people, they let me get to know them a little at a time.

But, hey, that’s me.  What do you do to develop your characters?

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Apr08
Traits of a Hero

In my new manuscript, my heroine is a romance writer with a list of ten characteristics she expects her heroes to live up to.  I think she uses it a little bit for a personal measuring stick as well.  Anyway, for your reading pleasure:

Skye’s Ten Traits of a Hero

  1. Always keeps his word/promises.
  2. Respects the heroine as an individual with intelligence and many other ass-kicking qualities.
  3. He loves her brand of crazy.
  4. Once they begin their own mating dance–even if it involves slammed doors and acidic wit–he doesn’t/can’t sleep with another woman.  If he does, he finds the experience hollow and unsatisfying.
  5. Even if he’s a “bad boy” he has his own brand of morals that he doesn’t violate.
  6. He sees qualities in her no one else does and doesn’t get why everyone else doesn’t see her the same way.
  7. He laughs with her.
  8. He’s willing to make sacrifices for and compromise with her, which isn’t necessarily true of others.
  9. He cares about what she cares about or, at least, cares that she cares.
  10. He recognizes her either has his soul mate or that he has never and will never love anyone else in the huge, world-shattering way he loves her.

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