Structural Integrity, Baby
When I start a story, I figure out pretty quick what that first turning point is going to be and where the plot (and subplots) will have to get to for it to happen. I’m a pantsy plotter. That also sets me down the road of “What happens next?” Well, the whole world just turned on it’s side–for good or bad, or both–and people (characters) are going to be scrambling to figure out how this new world works, where they fit in it, and how the heck they get to their goal now.
Don’t think of it as outlining, which still makes me cringe, and doesn’t really allow for narrative structure, anyway. It’s a road map. It’s where you’re going, where you’ve been, and how you’re going to get there.
I am a die hard plotter and outliner. I plot the story. I plot the acts. I plot the scenes. I plot the beats in the scene. Not all at once. At first, I immerse myself in the story with pictures of the characters and settings, a soundtrack, and handwritten biographies. Then I write several thousand words. Then I stop. Then I get annoyed because it’s going somewhere I don’t even get and what is the stupid motivation here, anyway? Then I rip up what I have, plot the entire story, in acts. Then I start writing. Before I start each scene, I note the beats of the scene. What happens, what changes, where does it get all twisty?
I’m a control freak. But I write a better story for it.
“I’m a control freak. But I write a better story for it.” ~ Click to Tweet